Awesome Songs of the Week!

Since I didn't do an awesome song last week, here's two for this week!

 Candylion by Gruff Rhys

And:

"Mr. President" by Janelle Monae

For all you fans of psychedelic Britpop/Afrofuturist R&B.

Also thank you Andrew for getting me into Gruff Rhys.

Obama Images

 Ignore this. I'll probably delete it soon. It's for a coding class.

Web Clips for 2/13/10

 

I like fancy dress...

In the spirit of valentines day: gummy bears being naughty.

Valve merch is on sale now. It's usually pretty expensive so if you're thinking of buying, now is the time. Also the fabulous Mount and Blade (which our own Bobbicus talked about here) is only five bucks until Monday.

With the release of Call of Pripyat, I've been going through the original (I didn't play Clear Sky,as my understanding is you might as well just play the original again), and boy. I can say sometimes it's just an exercise in frustration and random annoying deaths with quicksave as your only friend. And other times it's brutally immersive and fantastically atmospheric. So I hear Call of Pripyat has much less dungeon/sewer crawling, which I thought was the weakest part of the original (mostly because to me, horror attempts in video games are just plain gimmicky), so that's good. But I also hear that the side missions are basically required in it, which I'm worried will make it feel too much like a grindy RPG. Where did I hear these things, from this pretty good review.

Check out this cool, visual RSS reader.

Awesome Song of the Week! "Express Yourself" by NWA

Ready for the awesome song? Well here it is.




Really not a whole lot I can say about this one, other than that it's awesome. A classic. I know I'm being kinda lazy with my description, but, I mean, it's NWA. One of the most influential hip hop groups of the 90s. They even have their own airline. I think.

Further Moments in Unoriginality: Badasses

Finally, the AV Club gives me something to work with: favorite badasses in cinema/television (and sure, why not throw literature into the mix?). This, being some straight-up high school argument material right here, is the sort of AV Q+A that lead me to start this ill-intentioned parody column. I can't wait. So, favorite badasses? They actually managed to take two of my nominations: the question was predicated on a column about "The Wire" that, of course, mentioned one Omar Little, badass extraordinaire. You could find quite a few badasses in the "Wire" pantheon of drug dealers and cops-- Lester, Bunk, Stringer, Avon, Slim Charles, Snoop and Chris, the list goes on and on-- but Omar takes the cake. He's the perfect combination of predator and conflicted product of the streets. He robs drug dealers, but it's only because that's all he knows. And he's got a code, so it's not like he's some mindless wolf of a gun-toting stick-up boy. But most importantly? Omar's got style. From the way he whistles "The Farmer in the Dell," to his pithy one-liners that would do Sean Connery-era Bond proud, to even the scar/overcoat/bulletproof vest look, Omar is the suavest motherfucker ever to strut the streets of Baltimore. A classic. But a column predicated on Omar's status as badass can't just end with an affirmation of said badassness. The AV Club guys also managed to steal Yojimbo, from "Yojimbo," from me. Yojimbo is Toshiro Mifune in an Akira Kurosawa version of a Dashiell Hammett novel that was later turned into a spaghetti western by Segrio Leone (starring Clint Eastwood; I actually watched "Fistfull of Dollars" recently, and it would have been pretty good if only "Yojimbo" weren't so damn perfect). How's that for a pedigree? Basically, Yojimbo is a masterless samurai who wanders into a town controlled by two warring feudal clans and, with perfect battle-cunning and street knowledge, manages to pit both clans against each other for profit. Again, Yojimbo is a spectacular swordsman an all, but it's his style that sets him apart, a combination of minor nihilism and world-weariness combined with an inscrutable moral code (notice how he's destroying baddies.. but with badness... OH NO MORAL AMBIGUITY!). Basically, watch Yojimbo. It's a great movie. So those would definitely be two of my votes, but I have to come up with something original here. Having spent a good part of the day worrying about this, I will now cast my formal vote for Jules Winnfield of "Pulp Fiction" (the only current runner-up being Colonel Kilgore from "Apocalypse Now"). I mean, come on, how can any list of cinematic badasses be complete WITHOUT the man who delivered the Ezekiel 25:17 speech? Jules makes the cut for basically all of the above reasons: he's a cold-blooded motherfucker; he kills people, but not before scaring the shit out of them; but he's also got style, a way with words, a sense of infinite calm and reserve, and the gumption to put it all aside when possessed of a "moment of clarity." And I don't know about you, but I don't believe that nonsense that Jules was the organ player in "Kill Bill," Tarantinoverse or otherwise. Because Jules Winnfield doesn't die, he just fades away. Awesome, a fine day of imitative posting. And now it's time for your input: greatest badasses of all time?

Awesome Song of the Week! "Moon is Mine" by The Pillows

You know what it's time for.



If any of you are at all familiar with Japanese rock, you probably know The Pillows. They're probably the most influential J-Rock band of all time. (Must resist temptation to make a Kanye joke.) It's easy to listen to The Pillows and think that their music is really straightforward, so it's sometimes hard to really understand what a profound influence the Pillows have had on the Japanese music scene, but if you listen to nearly any J-Rock band from the 90s onward, you can hear traces of the Pillows' music.

This particular song is one of my favorites by them. The melody is epic, soaring, and really energetic, but at the same time just a little melancholy. And then there's the obligatory one English lyric about outer space. Seriously, just about every Pillows song has one bizarre English lyric in it (such as "I wanna be a gentleman" or "I won't call you scarecrow"), and a lot of the time that one lyric is about outer space (such as in "Ride on Shooting Star"). This also leads me to one of my favorite things about the Pillows: a lot of their lyrics make absolutely no sense. Some bands are known for writing lyrics strictly for their sound, rather than their meaning, and the Pillows are one of those bands. Which means that their lyrics always sound awesome.

Anyway, yeah, that's pretty much it.